ABOUT US
It’s about taking care of each another.
Values and Goals
TRUST – without trust there can be no safety.
RESPECT – opens the doors for trust to begin and helps create a supportive and harm-free environment.
GENEROSITY – is how collaboration, respect and creativity can thrive.
TRUTH – creates honest moments for our audiences.
JOY – brings laughter and enthusiasm to everything we do and is the bedrock of creativity.
To help each performer and student cultivate their greatness.
To provide a harm-free and inclusive space for creativity, talent and collaboration to flourish.
To create moments of violence for the theatre and film industry that are safe for the actors, crew and audience.
To provide authentic moments of staged violence that propels and supports the narrative.
To inspire audiences and students through engaging theatrical moments, classes, lectures and discussions in the art of stage combat.
Mission Statement
The Fake Fighting Company creates and instructs in dynamic, safe and believable stage combat for the theatre and film community. We endeavor to create an environment in which all are welcome in order for creativity, talent and collaboration to flourish.
Philosophy and Founder
The Fake Fighting Company operates under the philosophy that, “Life, as in art, is a contest of generosity.” This belief lays the foundation for approaching all of our work as a magnanimous balance of safety and truth.
To achieve safety, we put our students’ and performers’ wellbeing as our number one concern. We believe “safety” doesn’t just apply to the physical well-being of an individual but to the emotional and psychological as well. We as a company, provide, promote and require an environment that is free from hatred and harm, which is based in consent and inclusive of all races, beliefs, abilities and genders.
To acquire believability and truth, our work addresses several areas of study: precision of techniques; form and repetition; knowledge of history and weapon styles; acting skills, tactical application and choreography.
Following this philosophy, we strive to create an environment where all individuals can hone their craft and feel welcome, respected and heard.
Aaron Preusse is the Founder and Grand High PooBah of the Fake Fighting Company. He is a Certified Teacher and Fight Director with the Society of American Fight Directors. He received honors of Advanced Gold with Recommendation from the British Academy of Dramatic Combat. In addition to his training in Tai Chi and various other martial arts, he is a Black Belt in Tae Kwon Do.
As a Fight Director, Aaron’s work has been seen all over the mid-west region. He is the Resident Fight Director for The Guthrie Theater having been involved in over fifteen productions since 2016. He has also created moments of violence for The Ordway Center for Performing Arts, The Minnesota Opera, The Children’s Theatre Company’s Theatre Arts Training Intensives, Commonweal Theatre Company, Park Square Theatre, Red Bird Theatre, Gremlin Theatre, Theatre Pro Rata, Lyric Arts Company of Anoka, as well as numerous other theatres, schools and universities.
Aaron and his company served as Stunt Coordinator for the film THE FENCE AND THE FOX, LITTLE MEN and PROFILE OF A KILLER as well as for the music video for Kiss the Tiger’s BAD BOY. He was also a precision stunt driver for the movie THIN ICE. He was a Co-Stunt Coordinator and Stunt Performer for the movie CHRISTMAS BREAK-IN.
As a teacher, Aaron has taught for the Saint Paul Conservatory for Performing Artists, the University of Minnesota, Concordia University of St. Paul, North Hennepin Community College, Minnesota State University Moorhead, Winona State University, The Guthrie Theater, The Children’s Theatre Company, Lyric Arts Company of Anoka, Park Square Theatre, the Minnesota Thespian Festival, the Society of American Fight Directors Regional Workshops as well as other schools and institutions.
Aaron is a proud recipient of a 2008 City of Chicago Community Arts Assistance Program Grant, as well as a 2012 and 2017 Minnesota State Arts Board’s Artists Initiative Grant as well as the 2014 Metropolitan Arts Council’s Next Step Fund. In addition, Aaron has received the Central Illinois Stage Combat Workshop’s Nobel Blade Award and the National Stage Combat Workshop’s Award for Outstanding Performance.
As an actor Aaron has worked with Theatre de la Jeune Lune, the Children’s Theatre Company, Minnesota Opera, Berkeley Repertory, the Court Theatre, Idaho Shakespeare Festival, among many others. Aaron is also co-creator of An Evening of Experimental Repertory, an exploration in how the principles of Jazz can be used in creating new works of theatre. He is a graduate of the Dell’Arte International School of Physical Theatre and the London Academy of Music and Dramatic Art.
“Safety” applies to the physical, emotional and psychological well-being of all individuals.
Word on the Street
“Aaron is a generous spirit. He exudes kindness which translates well to the needs of the rehearsal room, particularly in approaching stage combat. An active member of the community, Aaron is constantly honing his craft and mentoring to bring others up with him. We’re lucky to have Aaron as a part of this Minneapolis theater community!”
Addie Gorlin-Han, Associate Producer for the Guthrie Theater
“Not only is Aaron an exceptional fight choreographer and teacher, he is also a joy to work with. Patient, calm and wise. The person you want in charge of a weapon.”
Barbra Berlovitz, Actor/Director/Teacher, Co-Founder of Theatre de la Jeune Lune and was co-artistic director of the company for 25 years
“Aaron is the ‘real deal.’ Intuitive, knowledgeable and completely immersed in the project. I can’t wait to work with him again.”
James A. Rocco, Former Vice President of Programming, Former Artistic Director, Ordway Center for the Performing Arts
“I was most impressed with his professional decorum, skill as an actor/combatant, and collegial spirit. I would love to work with Aaron again, any time, anywhere.”
Paul Dennhardt, SAFD Fight Director/Certified Teacher
“I have had the great pleasure of working with Aaron both onstage as an actor, and in private training sessions in sword fighting. He stands out as an artist who is always prepared, consumed with the details that separate great work from merely adequate, and he is enormously fun to be around. I knew I was working with a kindred spirit when, during a production we both were in, he would show up very early and we would find ourselves warming up together, going over moments in the show, always looking to make the work richer and better. He trained me privately for my role as Cyrano and showed both patience and rigor in getting me back in fighting form. Most importantly, he brings a warm, engaging, and infectious energy to the process, making him a true joy to know and partner with.”
JC Cutler, Actor
“Aaron Preusse is the consummate fight director, and I have worked with some of the best in the business in my thirty-some years in theater. Not only were his fights authentic and jaw-dropping, they were supremely safe and very well-taught. Working with both experienced actors and novices, he added zest to our production of The Three Musketeers. He was also able to furnish us weapons for the run which fit into our very tight budget. I wouldn’t hesitate to work with him again.”
Hal Cropp, Executive Director, Commonweal Theatre Company
“Aaron is a generous and incredibly skilled teacher. He sets the bar high and then provides students with the tools they need to get there. His stage combat classes at Saint Paul Conservatory for Performing Artists prepare students to take and pass the Skills Proficiency Test, provided by the Society of American Fight Directors. Every SPCPA student that has taken the test has passed. Aaron instills respect for the craft, care for partners, and physical and emotional commitment to the choreography. Students that come of out of his class not only have a multitude of skills, but the confidence and professionalism to execute them convincingly and safely.”
Genevieve Bennett, Theatre Department Chair at Saint Paul Conservatory for Performing Artists, Artistic Director of Red Bird Theatre
“Aaron was not only extremely skilled and creative in the art of fight choreography, his teaching technique was extraordinary. He instantly gained the trust of the students while instilling a respect for this challenging art form. I saw them gain confidence in themselves as performers through their Artistic Director of VISTA Productions work with Aaron and they continued to use his thorough process of warm ups prior to each performance. As a production staff member and colleague I was secure that my students were safe and prepared. His professional-level choreography brought reality and excitement to our production of ROMEO AND JULIET and I will seek opportunities for future collaborations as Aaron is a consummate professional.”
Wendy Short-Hays, Artistic Director of VISTA Productions
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